sorana_necula_reset

The setting of  The Interior  is summer 1997—China "post-  Deng Xiaoping ", a period characterized by "an unholy alliance between post-Deng Communism (' market socialism ') and American capitalism", the China of  Jiang Zemin . In the novel the narrator speaks about the times in more personal terms: "As the saying went, the blade of grass points where the wind blows. The only problem was that the wind was blowing in so many directions these days no one could completely protect himself". The plot centers on the conniving of American and Chinese businessmen to exploit poorly paid Chinese workers, especially women, for profit and power. See describes in great detail the dangers women face because they work in an American toy factory, located in a remote part of the interior of China, that lacks adequate safety protections and is a virtual fire trap.   Miaoshan was working at the toy factory before her death. Elisabeth Sherwin quotes Lisa See speakin

A crisis reconnects four young firebrands from college who have grown apart as adults, in a story dense with sensitive scrutiny. Straddling India and the United States, this tale of friends reunited in disparate maturity is heavy on internal reflection, lighter on events. The highpoint of Armaiti, Nishta, Laleh and Kavita’s student years in late-1970s’ Bombay was their involvement in political activity, in particular a demonstration that saw two of them arrested. Now, three decades later, Nishta, renamed Zoha, has spent years in an oppressive marriage to Iqbal, a Muslim who has grown very devout. Impulsive Laleh is comfortably settled with her influential husband Adish and children; architect Kavita has finally come to terms with her lesbianism; and, in America, Armaiti has just been diagnosed with an incurable brain tumor, a catastrophe that pulls the four together again at Armaiti’s request. Laleh and Kavita are free to leave India immediately but Nishta has to be found, persuaded