"Prime"
Lisa is played by Meryl Streep, in a strenuous but not unamusing performance that suggests Dr. Melfi from "The Sopranos" crossed with Molly Goldberg, the Yiddishe Mama dynamo from the long-running radio and television series. As she did in Mike Nichols's adaptation of "Angels in America" on HBO, Ms. Streep shows her fondness for Yiddish inflections and polite ethnic shtick. To which I can only say: Meryl, enough already! So you can say tuchis and nosh on some pastrami. Mazel tov! Jackie Mason you're not.
As for "Prime," well, as my bubbe used to say, comme ci, comme ça. It was written and directed by Ben Younger, whose first film, "Boiler Room," pulsed with raw, youthful urban energy. This is a tamer, if also more polished, effort, and it has some moments of energy, both comic and sexual, as well as a fondness for real Manhattan locations. The bows to romantic comedy convention seem perfunctory. There is the inevitable goofy male sidekick (Jon Abrahams, as a guy who likes to throw cream pies in the faces of women he's dated) as well as the obligatory gay friend (Zak Orth). Also, of course, the bickering Jewish grandparents (Jerry Adler and Doris Belack).
All of this makes the movie pleasant, but not very memorable - a pale mirror image of "Shopgirl," which touches on some similar themes. Mr. Greenberg, a heartthrob on the WB series "One Tree Hill," is not much of a big-screen presence, and he is nearly pushed out of the movie by Ms. Streep and Ms. Thurman, who bring enormous reservoirs of feeling to their roles. There are times when Ms. Thurman seems more alive - funnier, hungrier, tougher and more sensitive - than the movie itself.
WITH: Meryl Streep (Lisa Metzger), Uma Thurman (Rafi Gardet), Bryan Greenberg (David Bloomberg), Jon Abrahams (Morris), Zak Orth (Randall), Jerry Adler (Sam) and Doris Belack (Blanch).
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