"Budapest 2-6".02.2015"
The Hungarian Parliament Building is the seat of the National Assembly of Hungary, one of Europe's oldest legislative buildings, a notable landmark of Hungary and a popular tourist destination of Budapest. It lies in Lajos Kossuth Square, on the bank of the Danube. It is currently the largest building in Hungary and still the highest building in Budapest.
Párisi udvar is a magnificent shopping arcade in Budapest. It was built in the early twentieth century in an eclectic style and boasts a grandiose glass roof and plenty of sculptural decorations.
Párisi Udvar
Brudern House
Detail of the exterior
The arcade occupies the first two levels of the Brudern House, an attractive seven-story building accentuated by two small ornate towers.
History
The First Arcade
Párisi udvar's main entrance lies at a central location along Ferenciek tere, one of Budapest's oldest squares. In 1817, at a time when the area was one of the busiest in the city, József Brudern decided to build a large store here. The building, known as Brudern-has (Brudern House), was designed by the Hungarian architect Mihály Pollack. Inside was a shopping arcade that was modeled after the Passage des Panoramas, a glass-covered passage in Paris. This was probably the reason why the house was also known as Párisi-haz (Paris House).
Exterior
Tracery above the entrance
Glass dome
Sculpture
Henrik Schmal created an unusual building in a mixture of different architectural styles, including Venetian Gothic and Renaissance, decorated with Art Nouveau and Oriental elements. The palatial exterior, clad with colorful Majolica tiles, is decorated with numerous ornaments and motifs. Sparkling white reliefs of figures set in neo-Gothic niches adorn the rooftop, while fifty statues protrude from the third floor. The two main towers, which reach a height of forty meters, are richly decorated with neo-Gothic sculptures and even grotesques.
The Parisian Court
The Parisian Court inside is even more impressive. The arcade, two levels high, has a vaulted roof made of colored glass and a striking hexagonal glass dome, designed by Miksa Róth. The arcade is decorated with cast-iron and sculpted wooden ornaments. The floors have beautiful mosaic tiles. There are balconies, windows with bar tracery, pediments and sculptures. You can also see reliefs of bees, symbolizing thrift, a reference to the bank that commissioned the construction. Henrik Schmahl sure wasn't in a thrifty mood when he created this masterpiece.
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Andrássy Avenue (Hungarian: Andrássy út) is a boulevard in Budapest,Hungary, dating back to 1872. It links Erzsébet Square with the Városliget. Lined with spectacular Neo-renaissance mansions and townhouses featuring fine facades and interiors, it was recognised as a World Heritage Site in 2002. It is also one of Budapest's main shopping streets, with fine cafes, restaurants, theatres, and luxury boutiques.
At the front of the monument is a large stone cenotaph surrounded by an ornamental iron chain. The cenotaph is dedicated "To the memory of the heroes who gave their lives for the freedom of our people and our national independence." While some guide books refer to this as a "tomb" it is not a burial place. The back of the monument consists of two matched colonnades, each with seven statues representing great figures of Hungarian history. Directly behind the cenotaph is a column topped by a statue of the archangel Gabriel. In his right hand the angel holds theHoly Crown of St. Stephen (Istvan), the first king of Hungary. In his left hand the angel holds a two barred apostolic cross, a symbol awarded to St. Stephen by the Pope in recognition of his efforts to convert Hungary to Christianity. In Hungarian it is referred to as the double cross or the apostolic double cross. At the base of the column is a group of seven mounted figures representing the Magyar chieftains who led the Hungarian people into the Carpathian basin. In the front is Árpád, considered the founder of the Hungarian nation. Behind him are the chieftains Előd, Ond, Kond, Tas, Huba, and Töhötöm (Tétény). Little survives in the historical record about these individuals and both their costumes and their horses are considered to be more fanciful than historically accurate.
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